Brian Holland, Lamont Dozier, and Eddie Holland inducted —who wrote and produced dozens of hits for Motown in the s—describe their songwriting process. Detroit experienced an influx of African Americans from the south during both waves of the Great Migration.
Take a look at this infographic that illustrates the dramatic changes in population and employment in and around Detroit during this movement. Click the image to enlarge. This concert took place in Wolverhampton, England.
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What does this tell us about the popularity of Martha and the Vandellas? What does this reveal about the international appeal of girl groups—and of Motown acts and American popular music in the s, in general? Consider the collection of artists presented. What do you know about the other musical acts?
What can you find out about the other musical acts? Given the information provided on the concert poster, can you envision the concert itself? What would it be like to be in the audience? What would you see? What would you hear? Share this page: Share on facebook Share on twitter. Martha and the Vandellas, "Dancing in the Street". Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Apr 05, Siria rated it liked it Shelves: european-history , nonfiction , history. Four out of five stars for the idea, two out of five stars for execution.
Ehrenreich's introduction to Dancing in the Streets: A History of Collective Joy points out a quizzical disconnect in modern Western culture.
We put an awful lot of time and effort into studying depression, malaise, the things that make us happy and the things that isolate us, but very little effort into studying the things that make us happy or which bring us together. Ehrenreich traces the history of expressions of communal Four out of five stars for the idea, two out of five stars for execution.
Ehrenreich traces the history of expressions of communal joy and ecstatic communion—and the suppression of those celebrations—from prehistoric times through to the present day. In general, I think she makes some good points here. Why is it that modern Westerners can conceive so easily of strong bonds between individuals but less so between groups?
What have we lost in the search for individual freedom? There's definitely fodder for thought and for discussion in the ideas Ehrenreich raises. However, I cannot recommend the methodology which Ehrenreich uses here. She admits at the outset that there is a bias in the sources towards the history of the West, yet makes little attempt to correct that tendency in her own writing. Moreover, what little discussion she has of non-Western cultures largely comes from Western sources. Ehrenreich may also have read broadly in order to read this book, but she does not seem to have read deeply, and much of the secondary scholarship on which she draws is shockingly dated, dating from the 50s and 60s.
Dodds' work is foundational for a lot of recent scholarship, but it's also been superseded in many, many ways—the man died in the 70s! Why does she reference his work and not Peter Brown's? Surely a more influential scholar in the field of late antique religion, whose work would, I think, be illuminating on this topic, even if he never directly addresses it! I think that a knowledge of Caroline Walker Bynum's work on food and the body in the Middle Ages, for instance, would have changed her characterisation of the medieval Mass and how laypeople participated in it.
Similarly, greater familiarity with scholarly terminology on Ehrenreich's part would have strengthened her work—when historians or anthropologists refer to things as "liminal", that does not mean, as she seems to think, that they are dismissing something as marginal or unimportant, but rather that it gains in power or possibility because it straddles the margins of more than one sphere.
It's not so easily categorised. I listened to the audiobook version of this.
Key & BPM/Tempo of Dancing in the Street by David Bowie & Mick Jagger | Note Discover
I greatly enjoyed the reader's style and verve, but I really wish that she'd taken the time to clarify the pronunciation of non-English words before the recording. The French in particular made me wince. Mar 26, Clara Stefanov-wagner added it. I was disappointed to find that "collective joy" was narrowly defined in a very specific sense of trancelike, community-wide ritual associated with religious festivities. This is further defined or at least described as being characterized by a loss of individual consciousness and orientation on a level that would be considered pathological in other contexts.
Working from this restrictive definition, the author takes the view that such occasions have vanished, and that we have lost an essentia I was disappointed to find that "collective joy" was narrowly defined in a very specific sense of trancelike, community-wide ritual associated with religious festivities. Working from this restrictive definition, the author takes the view that such occasions have vanished, and that we have lost an essential part of human culture in the process.
- “Dancing in the Street”: Detroit’s Radical Anthem.
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- Dancing in the Streets: A History of Collective Joy.
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In the sense of near-insanity that overtakes an entire town, perhaps this is true. The social history and raw factual information were well researched and thoroughly interesting; the attempt at drawing a conclusion was unnecessary and alienating. Jul 28, Larry Bassett rated it it was ok Shelves: nonfiction , history.
Dancing In The Streets ~ Nov 2nd
Barbara Ehrenreich is one of my hero authors because of her books Nickel and Dimed and Bait and Switch. She has written a number of other books but these two address social issues that I find particularly compelling. They are also books where her writing is quite personal and succinct.
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On the other hand Dancing in the Streets hammers home its points by excessive repetition. For example, in the Introduction Ehrenreich writes a twenty page thesis on ceremonies that she considers celebratory in some way. Hardly any of these ex Barbara Ehrenreich is one of my hero authors because of her books Nickel and Dimed and Bait and Switch.
Hardly any of these examples, and there are many, are unique. Most are of the same nature but in different cultural settings.
Dancing in the Streets: A History of Collective Joy
She calls these ecstatic rituals. This point is made and made, then made again. Enough, Barbara, I get the point. In Dancing in the Streets she looks in the other direction for positive examples. This takes the form of an academic thesis, like Blood Rites , with fifty pages of notes, bibliography and index. I am tempted to put both these books in the reference section of the library and only go to it when I am interested in seriously exploring the topics. These are not for bedside reading tables.
I cannot celebrate Dancing in the Streets although from the catchy title I expect an enjoyable experience.
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But it is more represented by the serious subtitle A History of Collective Joy. And since so much of the book is devoted to the loss or absence of festivals, we might subtitle it The Loss of Collective Joy. So, I guess, my reaction to the book really had to do with expectations. I was looking for something catchy and readable and I got a deep, serious viewpoint. I was hoping for the happy personal celebration of a sports victory of my home team but got the formal experience of the choir singing the Hallelujah Chorus. Furthermore, she explores the collapse of paganism beginning with the rise of Christianity.
The parallels between Jesus and Dionysus are striking as Ehrenreich lists them. The current conflict in the Church between speaking in tongues and patient listening, between ecstatic dancing and sedate sitting was in the front of my mind as I read this section. To accept the course of evolution if I may use that word! It mostly does not work if one is dogmatic. Ehrenreich explores the reasons carnivals, large public parties, declined in frequency.
Ehrenreich does occasionally drift off course.
Sometimes the drift is interesting but only tangentially related to collective joy! And it should be emphasized that the new concern to separate eating from excreting, and one human body from another, had nothing to do with hygiene.